Phaan Howng is a Taiwanese American artist who creates large scale paintings, site specific installations that center around the Earth defensively brandishing its landscape in a post-human future. She incorporates theatrical and cinematic elements in her work to place the viewer in an idealized or satirical speculative future to encourage reflection on current environmental and ecological conditions fostered by extractive global capitalism. Her research into landscape theory, anthropology, and history grounds these interrogations of Western concepts of nature, the human, and time. Howng currently lives and works in Baltimore, Maryland. She received her BFA from Boston University and her MFA from the Mt. Royal School of Art at MICA. Her works have been exhibited at the Asian Arts and Culture Center at Towson University in Maryland, MoCA Arlington in Virginia, the Baltimore Museum of Art in Maryland and the Smithsonian Institution in Washington, DC. She has completed multiple large-scale commissions including installations for Facebook and American Express, and her work has been featured in notable publications such as The New York Times T List, The American Scholar, Bmore Art Magazine, and Artnet.